Carlos Sfeir’s practice is inspired by his interests in magic, science, territory, and cultures. He strives to create new bridges between human perception and natural phenomena. He believes art is a tool for questioning our certainties, discovering new meanings of nature and decolonising ourselves from ageing preconceptions.

Sfeir’s work ranges from sculpture, painting and installations, and is marked by a continuous dialogue between memory and experimentation. The data, objects and phenomena observed in the field research, which forms the basis of all his work, are constantly being recreated, intertwined and challenged in the subsequent studio manipulation.

Not constrained by the urge for completeness that often drives the artist's act, Carlos Sfeir’s works are rather interactive prototypes. Without finiteness, but alive and imperfect, they invite people to be accomplices in processes of uncertain outcomes, embracing the unexpected instead of fearing it./